Seventy-two men arrive in the Sicilian countryside. They are “immigrants”, “refugees” or “migrants”. But in Altino, they are called the ragazzi, the ‘guys’ that the Santa Marta Association have taken responsibility for. And their presence changes the course of life in this small Sicilian town. While they await their fate, the ragazzi encounter all kinds of people: a strange vicar who rewrites their pasts, a woman committed to offering them asylum, a man determined to refuse it, an older ragazzo who has become an interpreter, and a reclusive poet who no longer writes. Each character, wherever they may come from, is forced to reflect on what it means to meet people they know nothing about. As each brings a different view, a cacophony of discordant voices resonates to the end, when the final one reduces the choir to silence.

Mariama Bâ’s pioneering debut, So Long a Letter, captures the private lives of women in 1970s Senegal. Recently widowed, Ramatoulaye is required to take sole responsibility for the long mourning process of her late husband. A husband she has not seen in over four years – not after he married his second wife. In a letter to her friend, Ramatoulaye recalls both of their experiences as students impatient to change the world, as wives suffering in the private sphere of marriage, and as mothers witnessing the dangers of Westernisation.

Paris, 1806. The renowned botanist Michel Adanson is dying. His last word is a woman's name: Maram. But who was she? Searching for the answer, Adanson's daughter discovers a journal of his youthful travels in Senegal, which tells a story of wild adventure and impossible desires. It reveals how he heard of a young woman sold into slavery who did the impossible and returned. How he became obsessed with finding her, whatever the cost. And how a man who longed to solve the mysteries of natural instead found himself grappling with the impulses of the heart.