Kitchen comprises Banana Yoshimoto's two classic tales about mothers, trans identity, bereavement, kitchens, love and tragedy. First published in 1987, it won two of Japan's most prestigious literary prizes, remained at the top of the bestseller lists for over a year and has gone on to be a much-loved international bestseller.

In Moshi Moshi, Yoshie’s much-loved musician father has died in a suicide pact with an unknown woman. It is only when Yoshie and her mother move to Shimokitazawa, a traditional Tokyo neighborhood of narrow streets, quirky shops, and friendly residents that they can finally start to put their painful past behind them. However, despite their attempts to move forward, Yoshie is haunted by nightmares in which her father is looking for the phone he left behind on the day he died, or on which she is trying― unsuccessfully―to call him. Is her dead father trying to communicate a message to her through these dreams?

At first, Tokyo appears in these stories as it does to many outsiders: a city of bewildering scale, awe-inspiring modernity, peculiar rules, unknowable secrets and, to some extent, danger. Characters observe their fellow citizens from afar, hesitant to stray from their daily routines to engage with them. But Tokyo being the city it is, random encounters inevitably take place. The result in each story is a small but crucial change in perspective, a sampling of the unexpected yet simple pleasure of other people’s company. As one character puts it, ‘The world is full of delicious things, you know.’